The Patch Tool is not available in Photoshop Elements. When Content Aware was added to Photoshop CS5. Photoshop: Opacity for patch tool Vote. Use the Patch Tool in Photoshop CS5. The Patch tool clones the selected. Adjust the opacity until no. Photoshop CS4 Fundamentals: Image Cleanup with the Healing Brush and Patch Tool. Adapted from Photoshop CS4 Workflow: The Digital Photographer's Guide (Wiley Publishing). Here are many of Photoshop CS5’s keyboard shortcuts. Control-Click on object w/Move tool: Change layer opacity. Healing Brush, Patch, Red Eye: B: Brush. Photoshop CS5 - Cloning and Opacity problems! Current layer, current or below or all layers makes no difference. Cloning a dark area always produces a result where the cloned area is lighter than the original. Trying to clone out an object that is lighter than the background always results in the original object being visible under the cloned area. I have tried unsuccessfully to get Content Aware Fill in CS5 to work as advertised in the dozens of tutorials I have watched. I have used many of the. The Basics of Clipping Paths and Opacity Masks. What You'll Be Creating. In this tutorial, we. They allow me to easily reveal or hide artwork without deleting any paths. As in all digital arts, it. It is inevitable that either myself or the client will change their mind through the process and this technique allows for easy revisions and edits, leading to less stress and happier clients. First let. This can even include sub- layers with separately defined Clipping Paths. Opacity Masks are gray- scale Maps applied against individual paths/objects only. The only exception is that an Opacity Mask may be applied against a set of objects if they are Grouped. It may be easier to understand with this simple example: To the left is the original art with no opacity or clipping applied. In the middle I have applied a star shaped Clipping Path to the layer containing the turquoise circle path, shown below. Because Clipping Paths is a yes or no concept, the operation only recognizes if there is or if there is not a path. The circle is revealed where there is a path, and hidden in the absence of that path. To the right I have applied an Opacity Mask to the turquoise circle path. Because Opacity Masks recognize the full range of black to white, I used a gradient to show the range of values between full opacity and no opacity, something we will do again in just a bit. Of course we can create Opacity Masks of any solid shade of gray to assign different percentages of transparency/opacity. The default settings for Opacity Masks are: white is visible, black invisible, all the grays in- between relate accordingly. Part 1: Clipping Paths. Clipping Paths are a great tool . Many times I will have artwork that extends well beyond the dimensions desired for the illustration, but I Clip the artwork to the correct dimensions plus the appropriate bleed. Revealing patterns, textures, or backgrounds within an area (and thus excluding it in other areas) without deleting any paths or objects. Step 1. For this demonstration I. Both the turquoise and the jellyfish are in the same Layer. Step 2. Now we need to create a path or shape to Clip to. This example is similar to what I might do for a small spot illustration. Rectangles are so boring and predictable, let. So that you can easily see it, I. I usually draw this path unfilled, with a thin stroke so that I can see beneath it for accuracy. Step 3. If the Path you want to clip the layer to is not at the top of the layer set, move it there and click on the Make/Release Clipping Mask button at the bottom of the Layers panel. The Icon shows an outlined circle and square with their union shaded in. Only the artwork directly beneath the Path is revealed. At any point you can always grab the Path and move it around if you want. Many times your Clipping Path may not be perfectly aligned so it. Even the shape itself isn! You can release the Clipping Path by selecting the Clipping Path and clicking on the same icon that created it in the Layers panel, or to completely remove it you can drag the path into the Trashcan in the Layers panel. Part 2: Opacity Masks. Step 1. I. We are going to add some spots to the Jellyfish that will fade as they near his eyes and mouth. I then applied a simple gradient through the Gradient panel. You can see this shape below, we are going to use this as the Opacity Mask. Step 3. I then Cut the new gradient shape to remove it from the artwork, keeping it in the Clipboard for use in just a minute. After selecting the white dots and Grouping them, I move to the Transparency panel and double- click in the blank area next to Thumbnail of the dots. With the path/object/group that you want to apply the Opacity Mask to selected, double- clic in the Transparency panel to activate the Mask Layer, as shown below. Step 4. Now that I have told Illustrator to apply an Opacity Mask to the Group of dots, I Paste in Front again (Paste in Front/Back are nice commands as they take the copied/cut paths and place them in the exact location where they came from) in this Opacity Mask area. Command + F is Paste in Front and Command + B is Paste in Back. If you visually see the gradient on the Artboard after you paste, it means you aren. In the Transparency panel you will notice a slight outline around either the left or right square. The left square is your Artboard artwork, the right is the Mask. This means if you move the artwork the Mask moves with it. If they are unlocked (by clicking on the icon) you can move the artwork independently of the Mask. This is useful if for instance you have an Opacity Mask in the shape of a shirt, but the pattern isn. This simply changes whether black or white acts as the transparent or visible end of the spectrum and vice- versa. Conclusion. I move back to the Artboard and added some bright white highlights with no Mask to make the Jellyfish pop as well as toning down the background and adding a bit of gradient to the tentacles.
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